CULTURE AND IDEOLOGY OF THE HISTORY OF RELATIONSHIPS.
Keywords:
bolshevization of musicological science; political barometer; new and daring comprehension of classical works; enthusiasm for socialist construction.Abstract
In the proposed work, a review of one of the periodicals is carried out, copies of which, for ideological reasons, were universally withdrawn from most libraries. The study of materials different in direction and level of presentation allows you to feel the complex atmosphere of the creative environment, to feel the spirit of the times, on the eve of the Great Patriotic War.
References
Alshvang, A. Idejnyj put Stravinskogo / A.Alshvang. - Sovetskaya muzyka, 1933. № 5; s. 96
Ukaz. sochin. S.90
Ukaz. sochin. S.100
Ukaz. sochin. S.99.
Ukaz. sochin. S.162
Ukaz. sochin. S.103
Maksimov, A. V respublike nemcev Povolzhya / A. Maksimov. - Sovetskaya muzyka . 1936. №8 s.56
Ukaz. sochin. S.57
Ukaz. sochin. S.6
Olhovskij, A. Tvorchestvo sovetskih kompozitorov Ukrainy / A. Olhovskij Sovetskaya muzyka. 1940. № 7; s. 8
Chemberdzhi, N. Tvorchestvo F.Sabo / N. Chemberdzhi Sovetskaya muzyka . 1933. № 5; s 31 glubokaya lirichnost i napevnost arij, tancy v 12. Ukaz. sochin. S.35
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
CC BY-ND
A work licensed in this way allows the following:
1. The freedom to use and perform the work: The licensee must be allowed to make any use, private or public, of the work.
2. The freedom to study the work and apply the information: The licensee must be allowed to examine the work and to use the knowledge gained from the work in any way. The license may not, for example, restrict "reverse engineering."
2. The freedom to redistribute copies: Copies may be sold, swapped or given away for free, in the same form as the original.
